Music, Stage & Screen

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Thinking About Harmony: Historical Perspectives on Analysis

Concert Life in London from Mozart to Haydn

Edward Elgar, Modernist (Music in the Twentieth Century)

Analyzing Popular Music

Music in the Seventeenth Century

The Cambridge Companion to Handel (Cambridge Companions to Music) (Cambridge Companions to Music)

Heinrich Heine and the Lied

Bach: The Goldberg Variations

Christoph Willibald Gluck: A Guide to Research (Routledge Music Bibliographies)

Miles, Ornette, Cecil: Jazz Beyond Jazz

Signal Processing, Speech and Music

Samuel Barber: a Research and Information Guide

The Ma'luf in Contemporary Libya: an Arab Andalusian Musical Tradition

Audio Mastering

Vincenzo Bellini: A Guide to Research (Routledge Music Bibliographies)

The Horse-Head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia

Three Connecticut Composers: Oliver Brownson, Alexander Gillet, and Solomon Chandler: The Collected Works

The Language of the Modes: Studies in the History of Polyphonic Modality (Criticism and Analysis of Early Music)

Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance

Leadership and Musician Development in Higher Music Education (ISME Series in Music Education)

Gender, Sexuality, and Early Music

Collaborative Creative Thought and Practice in Music (SEMPRE Studies in The Psychology of Music)

Technology and the Gendering of Music Education

Queer Tracks: Subversive Strategies in Rock and Pop Music (Ashgate Popular and Folk Music Series)

Music and the Play of Power in the Middle East, North Africa and Central Asia (SOAS Studies in Music Series)

The Ballets of Maurice Ravel: Creation and Interpretation

Michael Nyman: Collected Writings

Coughing and Clapping: Investigating Audience Experience (SEMPRE Studies in The Psychology of Music)

Gaetano Donizetti: A Research and Information Guide (Routledge Music Bibliographies)

Revival: Old English Instruments of Music (1910) : Their History and Character

Music and Metaphor in Nineteenth-Century British Musicology

Performing Baroque Music